Rochester Summer Music Scene Playlist

The city of Rochester comes alive with music every summer with some great events that showcase a variety of bands and artists that are as diverse as the community. The 16th annual Party In The Park kicks off every Thursday evening from 5-10 PM  for ten weeks starting on June 7 through August 9 at the Riverside Festival Site on the corner of Court Street and Exchange Boulevard across from the Blue Cross Arena. All concerts are FREE! The Big Rib BBQ & Blues Fest starts Thursday July 12 and continues through Sunday July 15: lunch, dinner and live music! Highland Bowl concert highlights include Wilco and Giant Panda Guerilla Dub Squad. Here’s a sampling…

I might/ Wilco

The Whole Love is the work of a band that’s stylistically up for anything, from the edgy dissonance of “The Art of Almost” and the moody contemplation of “Black Moon,” to the ragged but spirited pop of “I Might” and the cocky rock & roll strut of “Standing O,” but more so than anything the band has done since Being There, The Whole Love sounds like Wilco are having fun with their musical shape shifting.- All Music Guide

My Body/ Young the Giant

The West Coast jazz-evoking album jacket of Young the Giant’s self-titled debut doesn’t exactly paint an accurate picture of the California quintet’s breezy modern rock sound, but it does complement it quite nicely. Here’s a band signed to a heavy metal label, whose music is anything but, and which actually excels through recurring shows of subtlety, not force. That’s not to say Young the Giantdon’t know how to rock; tracks like “My Body,” “Garands,” and “St. Walker” plug the guitars in and crank them up to that “tough but hooky” sweet spot inhabited by the Kings of Leon and sometimes even My Morning Jacket. -All Music Guide

Boom Boom/ Sister Sparrow & the Dirty Birds

The Dirty Birds navigate every twist and turn Sister Sparrow throws their way (or is it the other way around?) with ease. Check it out: here we have some smoky big-smile reggae (“Boom Boom”, “Vices” – Blondie lives!); over here we find 70s-vintage bluesrock reminiscent of J. Geils on a hot night (Arleigh’s harp-blowing brother Jackson channels Magic Dick on “Quicksand”); and over here we find a few things that just can’t be labeled so easily (the tango-on-acid of “Baby From Space”, for instance), but are fun nonetheless. And through it all are woven threads of sexy funk. Bottom line: this album is just plain fun. – Jambands.com

Pockets/ Giant Panda Guerilla Dub Squad

This one is about as straight-up as roots reggae gets: one-drop and rockers rhythms, socially conscious lyrics, and dubwise production flourishes are all in evidence here, and if the politics get a bit ham-handed sometimes, the grooves are relentless and powerful. Highlights include the excellent one-drop anthem “All Night Music” and a fine sufferer’s number titled “Pockets,” and the slow, thick rockers groove of “World War” is also excellent. – All Music Guide

Paper Boy/ Bruce Hornsby & the Noisemakers

Bruce Hornsby and the Noisemakers come up with combustible jazz-rock arrangements revealing the influence of Steely Dan (notably on “Paperboy”) and Brian Wilson (“Michael Raphael”), used to support sometimes bizarrely humorous lyrics, as signaled by the opening song, “The Black Rats of London.” Old-time Hornsby fans who fell away over the years might want to give this one a listen; it’s closer to his singer/songwriter self than he’s been in many years. -All Music Guide

It’s 2 A.M./ Shemekia Copeland

Copeland continues to prove herself as one of the strongest young talents in the blues on this disc. While the material itself isn’t as strong as that on her stellar first album, she still invests her all in tunes like the blasting “Not Tonight” and the romantic “Love Scene.”-All Music Guide

American Slang/ The Gaslight Anthem

With their hearts on their sleeves and their feet planted firmly in the garden state, The Gaslight Anthem’s third album, American Slang, plays out like an offering to Springsteen, the patron saint of heartland rock. The feeling on this album is considerably more relaxed. All of the punk rock tension and urgency have been replaced by a more patient and heartfelt mood. This change of pace really gives the listener the ability to sit back and take in the scenery on their musical Rust Belt road trip, making for a more moody, understated experience.- All Music Guide

Let Them Knock/ Sharon Jones & the Dap Kings

Because soul music — and this isn’t neo-soul, or contemporary R&B, but straight-up Stax and Motown brassy soul — is so much more than the actual lyrics themselves; it’s about the inflection and emotion that the vocalist is able to exude, and Jones proves herself to be master of that, moving from coy to romantic to defiant easily and believably. The magic and power of Sharon Jones & the Dap Kings: their ability to convey passion and pain, regret and celebration, found in the arrangements and the tail ends of notes, in the rhythms and phrasing, and it is exactly that which makes 100 Days, 100 Nights such an excellent release. -All Music Guide

Lost in a Crowd/ Rusted Root

Rusted Root’s debut album is an agreeable collection of post-hippie folk/rock. Drawing from The Grateful Dead, Phish and Graceland-era Paul Simon in equal measures, the band can certainly work a low-key groove, spinning out solos and singsong melodies at well. They haven’t perfected their songwriting yet — many of the songs sound underdeveloped — but their music sounds mature and hints at their potential.-All Music Guide

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