Are you suffering from the winter blues? WBER DJ Kelsey has provided this playlist to help fight those blues!
It’s pretty tough to have the blues when listening to this music, with these lyrics:
Sun is shining, the weather is sweet
Make you want to move your dancing feet
To the rescue, here i am
Want you to know, y’all, where i stand
We’ll lift our heads and give jah praises (repeat)
Sun is shining, the weather is sweet
Make you want to move your dancing feet
To the rescue, here i am
Want you to know just if you can
Where i stand, no, no, no, no, where i stand
Sun is shining, sun is shining
“Good Day Sunshine,” as its title portends, radiates optimism and good vibes, even by the high standards the Beatles themselves set in those categories throughout their career. How many days like that in “Good Day Sunshine” do most people experience in their everyday lives? Well, they’re not everyday occurrences, if people are honest with themselves. But on those occasions when they do arrive — one of the first fine days of spring, just after you’ve fallen in love or started a vacation — “Good Day Sunshine” is an appropriate soundtrack. Principal composer Paul McCartney was to agree that the good-time mid-’60s hits of the Lovin’ Spoonful, such as “Daydream,” were an influence upon “Good Day Sunshine,” although “Good Day Sunshine” isn’t as folk-rock-based as the Lovin’ Spoonful’s records were. The track’s corn-eared hook is its frequent chorus, when the Beatles come together for some of their most uplifting harmonies.-allmusic.com
Rise to the Sun/ Alabama Shakes
Pitched somewhere between the retro-purist vibe of Sharon Jones and the nervy revivalism of Jack White, Alabama Shakes possesses a curious character: they’re rooted in the past but it’s clear they’ve learned their moves musicians removed some three or four generations from the source. Instead of playing like refractions from a hall of mirrors, Alabama Shakes’ 2012 debut Boys & Girls emphasizes how American roots music is now grounded in the ’60s notion of blues & soul, all filtered through the prism of ’70s classic rock.-allmusic.com
It’s hard to be ambivalent about Zooey Deschanel. She’s a polarizing personality, one whose deadpan movie roles and big Bambi eyes are either charming or too cute for their own good. The same can be said for She & Him, a soft rock duo that features Deschanel doing what she does best as a film star: acting utterly adorable alongside a quiet, talented male character. Her co-star in this case is M. Ward, who produces the band’s second album and frames Deschanel’s voice with a Spector-sized pile of instruments. Those who already take issue with Zooey’s acting will almost surely pick this record apart — it’s too reminiscent of her cutesy turns in movies like (500) Days of Summer to change many minds — but for fans of retro pop (and Deschanel in general), Volume 2 is a gem.-all music.com
She’s only Happy in the Sun/ Ben Harper
Ben Harper is a musical preacher of sorts, never one to be shy in speaking his mind about social conformity. Diamonds on the Inside marks Harper’s fifth studio effort and this time he’s emotionally in touch with what makes his heart burst. This is a passionate album, no doubt. His signature Weissenborn guitar joins him once more and Harper’s classic groovy funk is heavy; however, Harper adds worldbeat to his musical plank. From the Marley-esque vibe of “With My Own Two Hands” to the African soundscapes of Ladysmith Black Mambazo on “Picture of Jesus,” Harper’s purist presentation is smooth. “When It’s Good” gives a little country blues twang, while “Touch From You Lust” is a sexy haze of writhing riffs.-allmusic.com
Despite drawing from so many sources, there’s a striking purity to Fleet Foxes’ sound. Robin Pecknold’s voice is warm and sweet, with just enough grit to make phrases like “premonition of my death” sound genuine, and the band’s harmonies sound natural, and stunning, whether they’re on their own or supported by acoustic guitars or the full, plugged-in band. Even when the songs aren’t as brilliant as Fleet Foxes’ highlights, the band still sounds alluring, as on the lush interlude “Heard Them Stirring.” Throughout the album, the band sounds wise beyond its years, so it’s not really that surprising that Fleet Foxes is such a satisfying, self-assured debut.-allmusic.com
“Sunshine of Your Love” was Cream’s most famous and popular recording, making #5 in 1968. If Cream, the band, were one of the ultimate intersections between hard rock, pop, and psychedelia, “Sunshine of Your Love” was one of its ultimate examples of such a hybrid. The big hook of “Sunshine of Your Love” is a grinding, instantly memorable hard rock riff, stuttering between two notes before hellishly descending for a few more, then rising in an upward squiggle. That riff continues throughout the verses, only changing in that it sometimes changes keys. Jack Bruce’s lead vocal is charged with operatic angst without becoming overbearing, a difficult balancing act to be sure, but one that he deftly maintains. The verses are broken up by an equally memorable chorus-bridge, a circular three-chord pattern in which the rhythms become tenser, mirroring the lyric’s growing anticipation and waiting for the sunshine of his lover’s love.-allmusic.com
Brighter Than Sunshine/ Aqualung
Using the nom de rock Aqualung, singer/songwriter Matt Hales merges material from his two U.K. discs on Strange and Beautiful, his appealing U.S. debut. Vocally reminiscent of Rufus Wainwright and Radiohead’s Thom Yorke, Hales’ musical approach will likely win converts from fans of the aforementioned. The title track, which gained significant attention after it was used in a U.K Volkswagen commercial, is a compelling piano ballad with enough experimental touches to put it in the company of Coldplay and Keane, but there are equally good offerings like “Brighter Than Sunshine” and “Left Behind.” With the former, Hales finds love by surprise (“I didn’t believe in destiny”) with a Beatles’ ballad pace, but it’s not all optimism. Devotion turns to devastation on “Falling Out of Love,” a jazzy number with a heartfelt delivery. On rare occasion, the material feels sluggish (as with “Tongue-Tied”) but by and large, Aqualung’s U.S. entry is a breath of fresh air.-allmusic.com
Aquarius/ Let the Sunshine In/ Fifth Dimension
Easily the most ambitious and successful record by the 5th Dimension, “Aquarius/Let the Sunshine In” was originally the musical centerpiece of the monumentally popular Broadway rock musical Hair. Like the stage play, the lyrics illustrate the possibilities of a generation, coupled with references to universal love and astrological references. Musically, it’s a multi-part, full-blown suite that tested the boundaries of Top 40 radio. The 5th’s version went to number one in the spring of 1969, and it was one of the last gasps of the ’60s-positive legacy that was, unfortunately, to fade away with the horrors of the Charles Manson murders and the Rolling Stones’ Altamont concert just months later. Opening with a beautiful, avant-garde, psychedelic fragment, the song immediately shifts into a combination of soul, pop, and rock, with an added taste of Broadway spice. The chorus is an uplifting, pop/rock movement, culminating in a dizzying choral pattern, not unlike “McArthur Park.” A funky, gospel/rock pattern emerges during the “Let the Sunshine In” section. This is a perfect bedrock for Billy Davis Jr.’s spontaneous gospel wailing, which, incredibly, was laid down in one take. The song is continually used in ’60s documentaries, as well as period films.-allmusic.com
Bird of the summer/ A Fine Frenzy
What a difference two years can make. Alison Sudol introduced herself as a piano-playing pixie on 2007’s One Cell in the Sea, stuffing her debut album with lilting vocals and fairy tale lyrics. Although that combination spawned several upbeat songs, ballads proved to be Sudol’s bread and butter, and she soon found herself saddled with the unfortunate task of re-creating the album’s intimacy in a live concert setting. Two years after Sea’s release, Sudol returns with a second record, having taken a lesson from the road and fine-tuned her music accordingly. There are still several ballads here, particularly during the album’s latter half, but Sudol knows that faster tunes work better in concert, where both the band and the audience can share in the same catharsis. Accordingly, Bomb in the Birdcage is a lively piece of work, with songs that take flight and arrangements that couch her vocals in tasteful heaps of strings, harmonies, and piano.-allmusic.com